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The Harem
Past the Imperial Divan, to the right, is the modest looking entrance to another world;
a world of various intrigues, secrets, and vice- the Harem. With numerous buildings, all- purpose rooms, womens and Sultan's quarters, long silent corridors, ornate ledges, and glowing tapestries, it is properly speaking, the most interesting and attractive part of the Palace.
There are three entrances to the harem; the gate of the
Coachmenin the second courtyard, the door next to the section of manuscripts and bindings, and the gate of the Chamberlain ( Mabeyn Kapısı ) at the back of the apartment of the Blessed Robe. When visiting the Harem in Groups, it is necessary to enter through the gate of the Coachmen
( Arabacılar Kapısı ). Then one can also catsch a glimpse of the court the Eunuchs the black servants and guardians of the ladies in the Palace.
The building, to the left, with the porticos , has the rooms in which the eunuchs used to live. These men were housed as follows, according to their ranks; the inexperienced on the top, and the aged and the skilled on the bottom floors. Thus we observe here the application of a philosophical reflection probably; when young one lived in higher places and as a one grew older and nearer to the earth, he started to dwell on the ground floors.
As can be seen, there is no end to the punishment in the world. There fore, giving thanks for the way we are, let us now leave these props of torture and gloom of this historical play here, and go out.
From here, we enter the actual harem, and coming out of the court of the eunuchs, we directly face the principal gate. The counter in the corridor here, was used for the purpose of putting the food trays that were brought to the harem from the kitchen. ASt the end of the corridor is the paved courtyard of the female slaves.
The Interior of the Harem Topkapi Palace
Coming out of here, one enters the biggest courtyard called the Paved Courtyard of the
Mother- Sultana.
The door of the hall with the fire place leading to this paved courtyard is called the door of the Throne. When a prince became a sultan, the initial ceremony of the coronation would take place
here. The new ruler would sit on the throne placed in front of this door, and before the rest of this subjects, the people living in the Harem would swear allegiance to him.
Later, he would take his seat on the throne in front of the Gate of Felicity in the Second Courtyard, and there high dignitaries of the state, the officers of the army, and the learned religious men
of the country would vow to obey him.
The Hall of the Sultan was originally built by the famous Sinan in the 16th century. It is reported that, in the past, the walls were all covered with the most precious tiles of the century in which the great architect lived. But when the building was being repaired under the reign of
Osman III most of the tiles were removed: and only those on which are inscribed verses from the Koran were left around the hall, at the place where the big dome joins the walls of the building. The original tiles were replaced by coloured and gilded decorations in rococo style;
and the interior of the dome was also decked with design in the same style. Here, we also notice some European furniture such as chairs and sofas being brought into the palace for the first time.
One of the apartments here is open the public so that you can get an idea of how an apartment room with its typical furniture in Old Istanbul used to be. These rooms were used as both living rooms and bedrooms.

The Harem of Topkapi Palace as seen from the outside |
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Saint Sophia Ayasofya

Aya Sofya is one of the two great monuments dominating the square. Let us pass under the chestnut trees bordering the square and visit it.
We must begin by explaining the origin of the name. Sophia, the name
of a street dancer, a courtesy who became empress, has nothing to the with the name of this cathedral, which is taken from the Greek "Sophia" meaning "wisdom"
to which is added the adjective "Saint", to form the phrase "Divine Wisdom."
It is said that Constantine built a church on the site of the present Saint Sophis in 325: surer sources have it that his son founded a sanctuary there in 360. This was destroyed by fire in 404 and Theodosius II had it rebuilt in 415; but in the course of revolutions which shook the throne and divided the nation into two warring factions, the Greens and the Blues, the temple was razed to the ground. It was then that Justinian decided to have a masterpiece, a work of un paralleded magnificence erected on this site. On February 29, 532 after a period of 39 days, he set his seal on the first stone of his new sanctuary.
This great work, one of the glories of the world, is the fruit of the labour of two Anatolian geniuses, the architects Anthemisu of Tralles ( Now Aydın ) and ısıdor of Miletus.
A hundred master masons and ten thousand labourers worked under their supervisor .
A beginning was made with the transfer of eight columns of red porphyry, originally from Heliopolis in Egypt, which were first shipped to Rome and then conveyed to
Byzantium ; marble, ingots of silver and gold, and ivory were sent from Ephesus, Baalbek and Delphi. All the richest and most costly materials-blocks of marble from the Marmara island, green
marble from Euboea and red from Synada ( near Afyon )
were used in the construction. The yellow marble came from Africa.
Even while not experiencing quite the same sensations of grandeur as the Emperor, and not possessing in any case the rank necessary for such a display of them, let us enter this majestic building and look about us, showing our admiration nevertheless, but with this difference, that instead of entering from the south after the fashion of Justinian, who trod the principal way into the church, we will enter from the eastern side, where the entrance is at present situated.
The Interior of The Saint Sophia Ayasofya Istanbul

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